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PoL - Chapter 4

Scalar Potential and Scalar Influences (what Keely calls Dominant) are the Cause of what we perceive happening on the material or Newtonian view of the motion of life and action. This Scalar Potential is a composite of discrete dynamical influences, three in number in a balanced state or condition of dynamic equilibrium. When preponderance is given to one of these three forces the effects of such influence may be either dissociation of a system or transformation into another system. [see Law of Transformation of Forces, 14.30 - Effect of Preponderance, 14.31 - Preponderance Russell]

Modes of Vibration

noun: the most frequent value of a random variable
noun: any of various fixed orders of the various diatonic notes within an octave
noun: a particular functioning condition or arrangement ("Switched from keyboard to voice mode". "Vibrations may occur in diverse manners or modes.")
noun: how something is done or how it happens ("Their nomadic mode of existence")

Keely
The fundamental mode of vibration in the interetheric is the dominant, the diatonic third of the mass chord, the same as in the etheric. [Snell Manuscript - the book, INTERETHERIC SIXTH SUBDIVISION]

Source
To Center
Away from Center
Balancing or Controlling
Keely / SVP[6]
Music
Modern wave form
Angle of Incidence
0°-45°
45°-90°
>90°
Path/Motion[3]
Straight
Zig-zag
Circular
Keely / SVP
Keely / SVP
Russell[4]
Russell[4]
Charles Henry[7]
Possible Correspondence[5]

[1] Also called Circular wave, Curl, Love Wave, Lamb Wave, Surface wave, Etheric. "Power of rotation comes on the positive and power of negation, arising when the receptive flows become independent of the circular chord of resonation (set up mechanically or otherwise) breaks up the rotational power." [ROTATION - Snell]

[2] Also called Compression wave. "The vibratory velocity governing the magnetic flow ranges from 300,000 to 780,000 per second and comes under the first interatomic. This is the first order above odor and permeates the molecules of glass in the compass cover as air passes through a sieve. Being governed by the full harmonic chord this flow moves in straight lines free from molecular interference. [MAGNETIC ENGINE - Snell] "when free of this differentiation are in straight lines." [Discordant] Figure 8.3 - Coiled Spring showing Longitudinal Wave

[3] "Discordance in any mass is the result of differentiated groups, induced by antagonistic chords, and the flight or motions of such, when intensified by sound, are very tortuous and zig-zag;" [Discordant]

[4] See Wave Field

[5] Artwork by JP et al. and this diagram: Triple Modes
[6] The Seven Subdivisions of Matter and Energy, VACUUMS FROM VIBRATORY INDUCTION
[7] Jose Arguelles, Earth Ascending, page 21; 1996 (3rd edition) [See Binary Triplet]

Keely
Every mass is an aggregation of molecules each having its "neutral center" wherein are equated its component forces consisting of the three fundamental modes of vibration. The balanced activity of these vibrations at the "neutral center" without diminution of force, makes possible the permanence of form and matter.
Since the continuity of existence of all molecules and all masses depends on the three fundamental component modes of vibration being held in balance at the "neutral center" it follows that certain orders of vibration can, by their influence on this neutral center, break the balanced equation, divide the components of the molecules, and therefore divide the components of the mass. [PERMANENCE OF FORM AND MATTER]

Ramsay
"By affinity the notes group in chords. The tonic is the center chord, the key of harmony; the dominant is the fifth above it and the subdominant the fifth below it, and these two are balanced on the center chord as the scales on a balance beam. The dominant chord is vigorous and active, tending to soar; the subdominant is solemn, soft, and grave, tending to sink; the tonic is melodious and restful, and in it the harmony of equilibrium. This far AFFINITY." [Scientific Basis and Build of Music, page 91]

See MUSICAL CHORDS

Keely's Three Modes of Vibration

Octave [Hz = 2octave]
1-21
21-42
42-63

"By use of the dominant mode, which is allied to the "order" of etheric vibrations, we can induct, "sympathetic negative attraction" or "sympathetic positive propulsion" in any mass, according to its mass chord." [SYMPATHETIC INDUCTION - Snell]

See Also

02 - The Transmission of Sound
1.14 - Materiality from Immateriality
1.21 - It Really Is a Musical Universe
12.00 - Reciprocating Proportionality
12.04 - Locked Potentials and the Square Law
12.05 - Three Main Parts of a Wave
12.07 - Keelys Thirds Sixths and Ninths
13.00.01 - Vibratory Rotation
13.15 - Principle of Proportion
14.04 - Thirds as Currents
14.09 - Brintons Laws of Being
14.29 - Force and Energy Defined
14.35 - Teslas 3 6 and 9
14.35.1 - Keely 3 6 and 9
15.05 - Relative Diameters in Dissociation
16.24 - Triune Vibratory States or Conditions
17.13 - Gravity or Levity
19.04 - Rotation from Vibration
369
3.11 - Introductory Impulse
3.13 - Reciprocals and Proportions of Motions and Substance
3.8 - There are no Waves
4.2 - Triple Vectors and Rotation
6.8 - Proportionate and Relative Geometries
9.12 - Velocity of Sound and its Propagation Rate are Proportional
9.20 - Center and Periphery
Acoustic Levitation
Akasa - Ether: The First Duality
Alchemy - Most Sacred Science
angle of incidence
Apergy - Power Without Cost
Are Physical and Spiritual Energies Identical
Binary Triplet
Casimir cavity
Chapter I - The Mental Dynamo
Chladni Plate Vibrations
Chord
Color
common chord
Curl
Cymatics
Debye Continuum
dominant
Dynamics of Mind
Enharmonic
Ether the True Protoplasm
Ether
Etheric Force Identified as Dynaspheric Force
Figure 1.12 - Naturally Occurring Frequencies Modes and Music Interval Relations
Figure 13.15 - Equilibrium as Musical Tonal Equivalents
Figure 13.17 - Focalizing and Reradiating mode of Sympathetic Transmission
Figure 2.12.1 - Polarity or Duality
Figure 2.3 - Focalizing and Reradiating mode of Sympathetic Transmission
Figure 4.3 - Single Mode Electric Vector Generating Circular Motion also Shown within Triple Vectors - See Also
Figure 5.4 - Vortex and Gyroscopic Motion on One Plane then on three forming Sphere
Figure 7.1 - Step 1 - Wave Vortex Crests at Maximum Polarization
Figure 8.14 - Some Basic Waveforms and their constituent Aliquot Parts
Figure 9.11 - Compression Wave with expanded and contracted Orbits
First Cause
Flyback Transformer
Force-Atomic
Gravity
Harmonic
Harmonograph
impulse
Interference
Introduction
Keely and Science - Part 2
KEELYS PHYSICAL PHILOSOPHY - Snell
Keelys Physical Philosophy
Keelys Secrets - Part 2 - One Phase of Keelys Discovery in Its Relation to the Cure of Disease
Law of Corporeal Vibrations
Law of One
Law Suit
Laws of Being
LAWS OF ENERGY
LAWS OF MOLECULAR BEING
Laws of Music
Levitation
Locked Potentials and the Square Law
Longitudinal Wave
Longitudinal
MASS VIBRATIONS
mass
Mind Force is a pre-existing Natural Force
minor
Mode
Modes of Vibration - Annotated
Modes of Vibration
Molecular Dissociation
More on Keelys Theories
music note or sound colors
MUSICAL CHORDS
Neutral Center
Newton of the Mind
Node
Overtone Series
Pendulograph
PERMANENCE OF FORM AND MATTER
Phase Velocity
Phase
Principles of Acoustics
Proportion
Pythagoras
Quantum Arithmetic Elements
Ramsay - PLATE XXVIII - The Two Modes Notes Pendulums
Ratio
Rayleigh Wave
ROTATION - Snell
Rotation
ruling vibratory mode
Scientific Creation
sense
Signature
Sketch of a Philosophy
subdominant
sympathetic celestial streams
Sympathetic Coincidence
Table 13.01 - Suppositional Math and Symbolic Structure
Table 14.04 - Occurrences of the term dominant in SVP Keely files
Table 2 - Controlling Modes and Proportions
Tables
The Coming Force
The Keely Motor Bubble
The Keely Motor Secret
The Key to the Problems. - Keelys Secrets
The Laws of Being
The Moray Valve Manuscript
THE NEUTRAL CENTER - Snell
Three Laws of Being
tonic
triplet
universal ratios
Veil Withdrawn
Vibratory Induction
Vril
Wolf Tone

Created by Dale Pond. Last Modification: Saturday June 29, 2013 04:51:28 MDT by Dale Pond.