[p. 29]
The universe might very appropriately be likened to a harp of nine strings, with nine tones in each string. In our diagram the strings are all indicated as of the same length for simplicity. In Nature the lower string is the longest. They grow gradually shorter up to the 9th. Likewise, the tonal positions and frequencies change in each string. In every case each note on each string is one octave higher than its next lower string. You will note that each string begins with a zero and ends with a zero. These are the key notes of each octave. They are the cathodes of every electric anode. They are called inert gases, such as helium, neon, argon, krypton, etc. They are the seed of all matter and
[p. 30]
the supreme mystery of matter. In them is the answer to the great mystery of life and death, which shall be deferred for full explanation in Chapter 11 of this book, after preparation for its comprehension in the pages which intervene.
Perhaps you may better understand our meaning by a study of your piano keyboard. There are only seven tones there. Each eighth tone is the same as the beginning note, except it is one octave higher. The reason for that change is due entirely to pressure mathematics. Compression pressure has reached a position where the vibration frequencies have multiplied in cube ratio. If you put a book upon the top of an organ pipe you will find that its tone will jump to just one octave higher.
Like the low tones of a harp the low spectrum tones on the Cosmic harp are of so few frequencies that they cannot even be perceived by human senses until the third string is reached. Up to 1926 only one of these tones had been perceived, but at that time the Russell Charts numbered 1 and 2 in the Introduction, were published, which completed all of the octave tones of that third octave. Also, up to the issuance of the Russell Charts in 1926, the chart then in use was known as The Mendeleef Table of the elements. In that chart hydrogen was the only element shown in that otherwise empty third octave, an impossibility in Nature which creates all units in pairs, and all octaves in four pairs. The Russell Charts complete this deficiency. Also, hydrogen, and its octave, were shown without an inert gas preceding it. This is as impossible in Nature as the growing of a tree without a seed is impossible. Also hydrogen was placed in the first column instead of the fourth column under carbon. Hydrogen has never been suspected as being carbon, one octave lower, as silicon is also carbon, one octave higher.
The reason that each succeeding tonal note, which constitutes the elements of matter, are one octave higher is one entirely of increased pressure. You can better understand that by compressing some air in an enclosed box or tube in which you have inserted a whistle. The more air you pump in, the higher the whistle will sound when you open its valve. If you tighten a wire the same thing will happen. The same harp string can give you many
[p. 31]
tones if you turn the tuning pins higher, or lower. By the time the first octave string has multiplied in cube ratio nine times, the speed of vibration frequencies and intensity of pressure have reached the incredible proportions of 1,073,741,824 times greater in the 9th string than the first string.
You can better imagine the tremendous explosive pressures which lie behind radium and plutonium bullets by actually seeing the pressure figures. Try it. Start with the first octave at 8. By cubing 8 it equals 64, then 512, then 4,096. The carbon octave comes next with pressure of 32,768. These are your normal pressures, as well as for all organic animal and vegetable life. When you cube your normal pressures you are running into danger. Nitrogen, for example, is phosphorous when cubed once, and it is arsenic when cubed twice. Nitrogen is necessary for you but phosphorous and arsenic will immediately "eat up" the nitrogen of your body and kill you by their radioactive expansion.
Oxygen is sulphur when cubed once to equal 262,144 pressures. Sulphur will kill you, however, for sulphur is the dying body of oxygen and you cannot eat your dying body. If you ignite sulphur it will consume oxygen. If you cube oxygen five times you arrive at the deadly radium-uranium-plutonium octave with its tremendous pressures of over a billion. These are the very nearly dead bodies of the elements which constitute the universal body. The reason that these bodies poison you is the simple fact that you cannot eat the dead bodies of parts of your own living body. If we cannot survive the ptomaine poisoning of slightly decayed fish, how can we possibly survive the maximum putridity which radioactivity is?
The deadly strontium octave reaches the tremendous pressure of 16,777,216, and the barium octave reaches 134,217,728 pressures. Underground these tremendous explosive pressures give birth to lower pressures by releasing higher ones from crystallized structures. That is the cyclic, or reincarnation process of Nature. Above ground, however, the cycle acts in reverse. Dead bodies kill living bodies instead of borning them. That is why oxygen and the free radioactive metals cannot co-exist. That is why thousands of tons of radioactive death in plutonium, stron-
[p. 32]
tium, thorium, radium and the other nearly dead elements used in reactor plants and discarded as waste, will gradually consume the earth's atmosphere and its oceans if not prevented from allowing the dead to remain buried, instead of resurrecting it to kill the living. We must understand that all bodies beyond carbon are dying bodies and that living bodies cannot live by consuming dead ones. There is a point of decay in all bodies, whether they are carrots, meat, fruit, oxygen or nitrogen. You do not have to be convinced that you cannot live if you consume decaying bodies of vegetables or animals which are composed of nitrogen, oxygen and carbon. Why should it be necessary to convince you that you cannot live if you consume decaying oxygen, nitrogen or carbon in their natural forms? Decay and radioactivity are one, except that radioactivity is fast decay.
Pressures in electric matter are dominated by the geometry of space wave-fields, which are based upon the cube. We recite this fact in passing, to explain the use of the word, but its further explanation would require too much space to record here. We will lightly touch upon it at the end of this book, however.
You can better understand the death dealing speed of radioactive light "bullets," which radium or plutonium can shoot at you, if you but compare the speed and power of Colonial musket bullets to the modern ones, and then multiply that by thousands of times. Or if you put sixty pounds of pressure in your tire, instead of thirty, and compare the hiss of that explosion when you open the valve, with the hiss of a thirty pound pressure, it will give you a more clear picture of what over a billion times thirty pounds would do if you could blow up a tire to such a high pressure.
[Return to Atomic Suicide - the book]