In the above quote we can see the description of Keely's Thirds, Sixths and Ninths as presented by Professor Brinton after his visits to Keely's Lab. We can also see these terms are not specifically musical intervals of thirds, sixths or ninths, as considered by musicians, but they are musical in terms of relativity, proportion and value. They are proportions within a whole. Flows and currents can be understood by the metaphor of a river. The river flows as a whole and has within this flow many currents. Herein the syntropic flow to a center is composed of three currents. Each current is a third (1/3) of the whole flow. These currents are expressed as ratios within a whole of 100; i.e., 33 1/3 : 100 or 66 2/3 : 100. The whole wave, regardless of polarity, is 100. Exploring the literature a bit further we find the following relationships:

"Silver represents the third, gold the sixth and platinum the ninth, in their respective relative molecular oscillating ranges. This triune condition will equate thirds in vibratory frequencies, that is, chords in intervals of thirds will set up disturbances in the Trexar and these disturbances will be equated so as to be transmitted as thirds from the positive or farthest end of the wire." [TREXAR - Snell]

Keely "''Maxwell's theory is correct that the plane of polarized light is the plane of magnetic force. The sympathetic vibrations associated with polarized light constitute the pure coincident of the plane of magnetism. Therefore, they both tend to the same path, for both are interatomic, assimilating sympathetically in a given time, to continue the race together, although one precedes the other at the time of experimental evolution. The time is approaching when electromagnetic waves with an outreach of two feet will be produced, having an energy equal to that now shown up on the magnet when it is about to kiss its keeper, and showing a radiating force too stupendous for actual measurement.’' ELECTROMAGNETIC RADIATION - Snell

See Also

epicentre of commotion